A Year With Frog and Toad returns to Children’s Theater Company

Article by Becky Fillinger, photos provided

A Discussion with Jay Goede, returning as of Frog

A Year with Frog and Toad returns to Children’s Theatre Company, April 23 - June 16. We spoke to Jay Goede, our Frog, a role which he originated in CTC’s 2003 world premiere and the subsequent Broadway production. He describes the joy in collaborating with fellow actor Reed Sigmund and in delighting audiences with the characters’ friendship played out against the changing seasons of the year. Get your tickets here because this one is a delight and a favorite for all ages.

Q:  What draws you to the character of Frog who you portray in A Year With Frog and Toad? Are there aspects of the character that resonate with you personally?

Jay GoedeA:  I think Frog is very much a person who likes to have a balance between social, personal, and spiritual worlds. There's a beautiful song in the show called “Alone” where - in distress – Toad pedals out to a little island, where Frog is sitting alone in nature, and Toad is convinced that poor Frog must be angry or sad or some negative emotion because he's isolated himself alone on this island. And, quite the contrary, Frog tells Toad that he's happy to be alone because it makes him feel at one with nature, enjoy his surroundings, and remembering how wonderful it has been to be who he is in nature. He "loves being a frog in the warm sunny summer," his beautiful phrase from the song. That really resonates with me. You need to be alone to be in touch with your spiritual and physical surroundings. The joy of taking in nature and all be magic that goes on within it.

Q:  How has your perspective or approach to the character of Frog evolved since your previous involvement with the show in 2003?

A:  Well, it is very much informed by who I am today as Jay, versus who I was in 2003 as Jay. I guess what I mean by that is: I stepped away for many years from the business of "show." The acting business. I found much serenity and peace in that decision. I began painting again, as I was trained as an artist originally many years ago. Most importantly, I have found a spiritual center that was much needed, and not quite in place in 2003. But I have missed the art of acting. I have not missed all the shenanigans that are "show business." But I do enjoy acting when I get the chance. "Frog" in 2024 will probably be my last time on stage for quite a while. It has been a lovely chance to get to know Frog again, and to work with the incredible talent of Reed Sigmund, who is - without question - one of our country's finest and most brilliant actors. This has been the greatest gift for me this time playing Frog. I feel extremely fortunate to be sharing the stage with such a fine talent, just as I felt the first time acting with Mark Linn-Baker who originated the role of Toad. Both are genius talents that don't come around very often. So if that makes any sense, those are the big differences this time around. I also don't jump as high as Frog used to do in 2003! Sigh.

Q:  The show explores themes of friendship and the changing seasons. How do you think the themes resonate with audiences?

A:  For me, as a child growing up, the most magical part of each year was the change of seasons. I loved the change of seasons, and most of all I loved fall and spring. Winter was a wonderful challenge because we got to go outside and sled down the hill, as Frog and Toad do, but spring is the most magical time of year for me. I think everyone sits in the audience and brings their own personal relationship with all the seasons to the show. Fall, for me as a young person and of course still as an adult, is when my two favorite holidays take place: Halloween and my birthday, which is November 2nd. So I guess I have romantic and nostalgic feelings associated with every season. As we age, we bring more of our history to living through those seasons each year, but without a doubt I think we all have our favorite seasons. It is fun to see the audience, especially the children, respond to each new scene, and enjoy watching Frog and Toad experience all the wonderful seasons onstage.

Regarding friendships: in the changing seasons, I have beautiful memories of sledding with my friends, and going Halloween trick-or-treating with my friends. I think about Christmas gift exchanges with my friends. Every one of us has special memories that we cherish from our childhoods, and even in adulthood our friends mean so much to us, especially during the holidays. We love and look forward to sharing our time, our gifts, and our memories with them. The friendships that last over many years, like Frog’s and Toad’s, are the ones that anchor us in our reality, in our happiness, in our struggles and in our victories. The friendships that last through the years are the ones we hold most dear in our hearts. And, certainly, the seasons give us indicators of how many years we've known our special friends.

Reed Sigmund (Toad), rehearses with Jay. 

Q:  Are there any particular scenes or songs in the production that hold special significance for you?

A:  Yes, as I mentioned, I will always feel fortunate to sing “Alone” every day that the show runs. This beautiful song, in the middle of this gorgeous show, talks about one's need to be not isolated but with oneself in nature. It is one of the most beautiful ideas in the show. Frog explains to Toad that he doesn't mind being alone, and he actually needs it sometimes. It is a beautiful spot in the show, where you see the depth of the friendship between the two characters. Toad has made this beautiful lunch of sandwiches and iced tea for Frog, to comfort him and cheer him up. The lunch gets ruined in Toad’s efforts to get out to the island. Just as he falls off his log, Frog reassures him that it is enough to just be with him and sit in the wonders of nature. In essence, Frog is letting Toad know that just his friendship and his presence are enough. Even without the iced tea and sandwiches. It is such a beautiful part of the show for me. 

Q:  How do you prepare for the emotional aspects of your character, and how do you find a balance between the comedic and more serious moments in the show?

A:  I guess the key to good comedy is that the character doesn’t know the situation is funny. I don't look differently at comedy than I do at more serious moments. If you think about the truth of the situation, that takes care of it. In other words, I think comedy and seriousness can layer on top of each other, the more we get to know the characters, their behaviors, and the situations in which they find themselves. Behavior comes out of truth, and the more truthful we can make the situations, the more truthful the behavior is. And the audience discovers joy and sadness while watching the character experience all these moments.

Q:  As someone returning to a familiar role, how do you keep the performance fresh and exciting for yourself, as well as for the audience?

A:  At my age, I just try to keep it simple, and the rest takes care of itself as far as the joy of performing. I take the advice of that great actor Spencer Tracy who said, "Just learn your lines and don't bump into the furniture."

Q:  Lastly, you mention that you might not be on the stage again for a while. What’s on the horizon for you after Frog and Toad wraps up in June? 

A:  After this wraps up, Frog/Jay is going on vacation to an island far away, all alone by himself, to sit and be one with the spiritual self and the joy of nature.

Q:  How may we follow you?

A:  I'm very elusive and like to stay that way. You might find me on Facebook and Instagram, but you might not."Maybe yes and maybe no!" as Frog says.

Eagle Watches Over the Stone Arch Bridge Project

Submitted by Ric Rosow

The tug boats are doing yeoman work on the Stone Arch Bridge repair project. Above, a tug boat is pushing and guiding a new barge, the third, into place. Note the eagle perched atop a tree branch in the bottom center of the second image watching over the project. Below, a tug boat returns from one of the barges.

Clay Squared Gallery Announces Grand Opening, May 10

Image: ReUse On the Range, mixed media sculpture by Layl McDill, 55"x100"x9", 2023

Grand Opening May 10, 6:00 - 8:00pm

Mixed media sculptor Layl McDill is expanding her gallery and studio. The newly renovated storefront space at Lowry and Monroe will showcase Layl’s sculptures of all sizes and shapes. The Grand Opening is May 10 from 6:00 to 8:00pm. There will be door prizes and snacks, and an opportunity to play with some clay, too! 

Check out her latest teapots that have transformed into birds and whimsical worlds. Take your time searching the bead collection to find just the perfect grouping for a personalized bracelet. You'll also find a life-size bison made of found objects and polymer clay! 

The new gallery space (above) will be open Monday-Saturday from 12:00 to 5:00p, or by appointment or chance. Direct entrance is located at Monroe and Lowry, or enter at the main entrance of the Flux Arts Building, 2505 Howard Street NE (below).

Also open in the Flux Arts Building will be: Clay Squared to Infinity tile showroom and studio, Art to Change the World and Potek Glass.

Clay Squared Gallery will also be offering classes, parties and workshops in this new space. With several newly trained instructors, classes will be offered regularly. You will learn amazing magical techniques and then create a finished project such as a vase, frame or switchplate cover. Take it home and bake it in your own oven or let Clay Squared bake it for you. 

Public is Invited to the Annual MPD 1st Precinct Open House, May 14

Inspector Billy Peterson and the entire MPD 1st Precinct staff cordially invite you to the 1st Precinct Open House, taking place Tuesday, May 14, 11a-2p at 19 N 4th Street.

The Classical Music Project Returns to Westminster on June 2nd

June 2, 3pm Westminster Presbyterian Church

Sponsored by The Dakota

The Classical Music Project, launched in 2023, seeks to offer audiences intimate and thought-provoking musical experiences that highlight the beauty and complexity of classical music of the 17th-19th centuries. As a member of the Incubator Program at Springboard for the Arts, the project is committed to exploring new and creative approaches to presenting older music in a modern context.

.

The first concert of the 2024 season promises to be a captivating exploration of love, revenge, and the beauty of Italy through the music of three influential composers. Get your tickets now and immerse yourself in an afternoon of musical mastery and storytelling.

.

The program includes:

• Sinfonia Avanti II Barcheggio - Alessandro Stradella (Marissa Benedict, Trumpet Solo)
• Suite from the Ballet Pulcinella - Igor Stravinsky
• Symphony No. 4 in A, Op. 90 (Italian) - Felix Mendelssohn

Marissa Benedict will be featured as a solo performer. Her impressive resume includes being the first woman trumpet player to record on prestigious scoring stages and being featured on numerous blockbuster film and television soundtracks.

.

Jere Lantz, Conductor, has been recognized with many awards for his contributions to the world of classical music, and his dedication to the arts has left a lasting impact on the communities he has served. His passion for sharing the joy of music with audiences of all ages and backgrounds has made him a beloved figure in the world of classical music. 

Tickets Now Available for Puccini’s Suor Angelica at The Basilica of Saint Mary, June 26-29

Puccini’s Suor Angelica will be the first-ever opera to be performed at The Basilica of Saint Mary - June 26-29

TICKETS

Out of the Box Opera, which designs productions that get to the heart of what makes opera exciting, is a pioneer of popup opera. Past production venues include Uppercut Boxing Gym, Weisman Art Museum, A-Mill Artist Lofts and Canopy Hotel. For this historic first, The Basilica of Saint Mary is acting as co-producer.

Few places in the Twin Cities can rival the Basilica’s power to stun. The iconic building is a place of beauty, mystery, and drama - the perfect complement to Suor Angelica, an intense one-act work set in a convent and sung by an all-female cast. As the tragic story of Sister Angelica unfolds, audiences will visit three separate locations within the Basilica: the Teresa of Calcutta room, the Chapel, and the majestic Nave. As if swept along by the music itself, at times actually mixing with the performers, the audience will have a uniquely immersive opera-going experience that will be unforgettable to first-time opera goers and veterans alike.

-  -  -  -  -  -

Side note  - Learn more about this production when Mill City Times publishes a Becky Fillinger interview with Out of the Box Opera President, Noah Eisenberg, in May!

Local Artist Spotlight: Sarah Nassif, Artist in Resident at the Mississippi Watershed Management Organization

Article by Becky Fillinger, photos provided

Sarah creating a felted vagus nerve

Bringing People, Plants and Place together through interactive art works

Sarah Nassif is Artist in Residence at Mississippi Watershed Management Organization (MWMO), where she developed her Weaving Water Workshops. Keep reading to learn about this workshop where you can share personal connections to textile traditions, bodies of water and the Mississippi River. That’s just one of the programs that Nassif has created in the local area. We talked to Sarah about her amazing nature-based projects in the Twin Cities and how you can participate.

Q:  You're the Artist in Residence at Mississippi Watershed Management Organization. How did this marvelous appointment come about?

A:  Just months before the pandemic, I was awarded an MRAC Next Step grant and a Minnesota State Arts Board Artist Initiative Grant. The funding was meant to allow me to continue the work I had started in 2018 with Weaving Water, which was funded by a 2017 Artist Initiative Grant by presenting it through MWMO. The plan was for me to present my first solo show in the beautiful MWMO Stormwater Park and Learning Center gallery space as well as provide some public programming for MWMO. My show plan was to create enormous weavings depicting three watersheds and design an immersive fiber art installation.

Of course, everything froze in March 2020– and then life took us all through some very hard times – fires around the world, the murder of George Floyd and the upheaval that followed, the isolation and fear brought on by the pandemic, etc.

Abby Moore, Outreach Principal at the MWMO, and I stayed in conversation through 2020-2021, having no idea when or how my project could (or should) resume.

Abby’s challenge when the MWMO reopened its offices (after more than a year) in fall 2021 was how on earth to move forward with the work of connecting the public to what this governmental body accomplishes day in and day out for our watershed, a world most people barely know. She had always engaged artists to present art shows each year with some public programming to complement them, but the MWMO building hours were now very limited, people were still scared of gathering, and circumstances were shifting due to COVID conditions and a very cold winter that set in in January 2022.

I have long admired the work of Christine Baumler as Artist-in-Residence at Capitol Region Watershed District, so I suggested we create a similar role for me as a way for me to collaborate with Abby to meet both her goals and mine as we rode the waves of changing circumstances starting in October 2021.

Both Abby and I wanted to create opportunities for people to come together safely, connect with the Mississippi River, and find creativity and relaxation in community to help offset the extreme stress of daily life at the time.

The first Weaving Water Workshop at MWMO was distanced/masked and outdoors in late October, but people loved the chance to gather by the river, get creative playing with indigo and fiber, and just be together again. We shared about our personal lineages of creativity and connection to water to kick off a couple hours of making. It felt like such a gift and a balm at that time, under the huge cottonwood trees with the sparkling river and smiling people. We planned monthly workshops after that, and I brought in fellow artists to expand on the theme of creativity and connection to water. So that was it, I became the first Artist in Residence for the MWMO, and I continue in this role to bring arts-engaged outreach programming to all corners of the watershed.

Q:  That’s quite a story – thank you for persevering with your vision. Your website notes that your passion is bringing people, plants and place together to create interactive art works. Can you tell us how you first became aware of your interest in unexpected collaborative experiences?  

A:  I like to say that my art practice is about the intersections of people, plants and place. When I moved to Minnesota in 2000, I had no history here, no family roots, and despite my B.S. in Botany from University of Washington, all the plants were brand new to me. My first jobs here were in marketing data analysis, far removed from my love of art and nature. I was living here, but didn’t feel connected to the place for the first five years. Unhappy with work, I left the corporate world in 2005 with room to return to my creativity at long last. Getting to know the plants was my first artistic ambition – I documented trees and plants on my hikes and created textile designs from them that I screen printed in my home studio.

In 2005 I launched Rectangle Designs: Botanically Inspired Fashion. This was a line of apparel and accessories featuring botanical screen prints I created from my field photography of plants. Each design connected the buyer to an actual plant and the place it grew. I had beautiful hangtags and a website where shoppers could learn more about each plant. I was trying to inspire people about nature in the unexpected location of a boutique where they were just shopping for clothes or gifts. In 2012 I was invited to host a solo trunk show at the Walker Art Center’s Gift Shop, and I loved talking to all the people who bought my designs.

But I decided to close the business when we moved to a new house that required me to pack up my screen printing studio indefinitely, and I just did teaching artist residencies for a couple years. In 2014, I got my first artist grant through Springboard for the Arts’ Irrigate program to create The Other Green Line, which was also my accidental introduction to “social practice” art. The Other Green Line was a free field guide distributed alongside other free printed materials at convenience store check outs and local businesses up and down the new Green Line light rail. This project was the real catalyst for me realizing the power of “unexpected creative (and collaborative) experiences.” It also led me to meet other local artists working in similar ways.

The Other Green Line revealed the natural history of the landscapes between Minneapolis and St. Paul that were obscured by urban development. It invited people to participate as field naturalists observing the world around them with curiosity and sharing their observations with other people. They could follow a self-guided foray route and draw on pages in the booklet. I offered guided forays for free. An article in Streets.MN was the ultimate validation to me that somehow, I was on the right track creatively.

Q:  Please tell us more about the Weaving Water Workshop at MWMO. How may we participate?  

A:  The Weaving Water Workshop was created in 2018 and is an ongoing project - an umbrella title for the collaborative work I do with a variety of organizations including (but not limited to) MWMO. The project can take the form of an art show installation, a public festival, or a privately held workshop for a smaller audience.

Above and below - some of Sarah's workshop participants, clearly enjoying themselves.

I collaborate with select partners to design Weaving Water Workshops for organizations and communities. This summer, the project will travel south along the river to the Minnesota Marine Art Museum in Winona in May and north to the Watermark Art Festival in Bemidji in July. Contact me here to inquire about commissioning a Weaving Water Workshop for your group. 

Subscribe to the MWMO newsletter to learn about public Weaving Water Workshops across the urban watershed. And listen to an in-depth interview of Sarah on the MWMO's new podcast River of Ideas. Please follow me on Instagram @sarahjnassif.

Q:  Another of your creations is the Trees of Prospect Park (TOPP). Can you tell our readers about the program?  Will you possibly design other tree or plant walks in our neighborhoods?

A:  TOPP was a pandemic project designed to help people de-stress by connecting to nature and to each other in the safety of the outdoors and fresh air. I designed a 26-tree walk that anyone can follow on Google Maps using the link is on my website. I led free tree walks along the river banks south of the Franklin Bridge in my neighborhood. My friend was just starting Signature Arts in a former grocery building, and there was space where I could host drawing sessions safely – with masks, distanced and with an air purifier! I provided walnut ink I made from a neighborhood tree’s windfall of walnuts, paper, and my extensive collection of pressed leaves, cones, acorns and other tree treasures. I coached individuals and family groups from 10 feet away to trace the leaves and draw without self-judgment while we chatted about our tree affinities. After a winter of being isolated in our homes, this was a fun way to get out in the world! 

I am developing a plant walk for the Walker Art Center in the Minneapolis Sculpture Garden – to be released this Spring/Summer!

I also have a 9-week art residency that I teach at older adult communities. We gather weekly to explore the trees growing around the residences, and the students create and illustrate a custom field guide of these trees. The course is called Seeing the Forest and the Trees. It’s so fun!

Q:  So many wonderful projects! How may we follow your news?

A:  Please do follow my Instagram @sarahjnassif or subscribe to my newsletter. My website sarahnassif.com – check out my news and projects there.

Sherman Associates Completes Ladder 260 Apartments in the Mill District

Ladder 260 is a six-story, 82,225-square-foot low-rise apartment building, featuring 90 affordable housing units. 

Now pre-leasing - learn more at Ladder260.com

Sherman Associates has completed Ladder 260, a new $34 million affordable housing development located at 260 Portland Avenue in the Mill District neighborhood.

Kraus-Anderson (KA) is the general contractor for the multi-phase project for Sherman, which is redeveloping most of an under-utilized city block at Washington Avenue and Portland Avenue. The first phase of the overall $161 million development project was a new $12 million fire station for the City of Minneapolis, which was completed in 2022. The final phase, called O2, is a 22-story, 240-unit market-rate apartment tower at 250 Portland Avenue, expected to be completed in early fall of 2024.

Designed by ESG Architects, Ladder 260 is a six-story, 82,225-square-foot low-rise apartment building, featuring 90 affordable housing units.  Amenities include a hotel-like lobby and leasing center, fitness room, 2nd floor lounge and a rooftop deck, bike storage/parking and pet spa.  Walk-up units on the street level provide a unique unit type to the market and will enhance the vibrancy along 3^rd Street.  The location has proximity to light rail and bus routes and is highly walkable and bike-friendly.

KA and Sherman have worked together on several projects that have enhanced the downtown Minneapolis community. Most recently, the 10-story Moment Apartments opened its doors in January 2023. The mixed-use, 222-unit development also includes the Transitional Healing Center for Firefighters For Healing. The center located on the 2nd floor includes 12 fully furnished suites for families of burn survivors, firefighters and first responders traveling to the Twin Cities for care at nearby Hennepin Healthcare.

Cirrostratus Clouds Over Downtown by Ric Rosow

Submitted by Ric Rosow

It was January 29th and the sun had set behind downtown building. The glow of the setting sun continued to light up the sky and the cirrostratus clouds. I had gone out specifically to photograph the sunset. The cloud formation was stunningly beautiful. Mother nature put on quite a show.  

Art A Whirl, a Northeast Minneapolis Arts Association (NEMAA) sponsored event takes place May 19-21. You can see more of my work during Art A Whirl, at Price Krishnan Gallery and at  ricrosowphotography.com

Cirrorstratus Clouds Over Downtown

Local Theater Icon: Bradley Greenwald

Article by Becky Fillinger, photos provided

From a Theater Latté Da production of OLIVER!  Photo credit Heidi Bohnenkamp

One of the Twin Cities favorite performers is Bradley Greenwald. We wanted to know more about his start in the performing arts – and what’s on the horizon this year. If you haven’t had the pleasure of watching Greenwald on stage (unlikely, but even if you have), do yourself a favor and get tickets for the upcoming reimagining of Puccini’s comic opera Gianni Schicchi at Theater Latté Da. Greenwald wrote the libretto, and directs and stars in the production. He never disappoints whether on stage or teaching acting and singing to high school students.   

Bradley Greenwald, Photo credit Devon CoxQ:  Anyone who has seen you on stage has a favorite Bradley Greenwald performance. For me, it was your portrayal of the Emcee in Frank Theater’s 2011 Cabaret on the Centennial Showboat. You were exuberant, playful, mysterious, a bit sinister, bawdy and in our faces! Alan Cumming would have been impressed. Can you describe your routine or preparation process before a performance?

A:  I like rehearsing much better than performing because there's so much freedom in the discovery process. Most people are probably not aware that what they see on stage - the choices performers have locked in for their characters that may seem so natural and obvious to the audience - only comes after a tedious process of finding the right choice for the right moment. And that involves rehearsing a lot of wrong choices. Rehearsing is exploration. And I could keep exploring a piece forever.

Q:  Let’s now ask you – what’s your most memorable Bradley Greenwald performance and why?

A:  I am never able to answer that question easily because there are so many, and they're never because of my performance - they're memorable because of a deep connection between the audience and those of us on stage. I do have a short list of moments that will live forever with me: the end of Leonard Cohen's "Halleluia" in Rumblings, and the very first run of Carmina Burana, both with Minnesota Dance Theatre; Theâtre de la Jeune Lune's The Magic Flute - ​the most joyful union of theater and audience I've ever experienced; singing Peter Mayer's "My Soul" with pianist Sonja Thompson and the sigh from the audience as snow started to fall on stage behind us at the end of every performance of The Longest Night at Open Eye Theater.

Bradley, accompanied by Sonja Thompson, in The Longest Night. Photo credit Star Tribune

Q:  How did you first discover your passion for performing?

A:  Completely by accident. My major at the University of Minnesota was German, and I planned on being a high school German teacher. But I got interested in classical music and started taking voice lessons. During that time, I spent a summer as a fellow with a Bach Festival in New York. There was a closing concert, and I had been asked to perform the aria "Ich habe genug" with a small chamber ensemble, a piece of music I was much too young and inexperienced to take on. It was too mature for me technically, and emotionally, and I actually pulled out of it after a couple rehearsals. But the vocal coach talked me back into it. He sat me down, listened to my reasons for not wanting to do it and he agreed that it really was too much for a young singer to tackle, but I had told my colleagues I would do it and should honor that commitment. And really, who's ever ready for anything? So, I did, and I don't remember performing it at the concert at all - it was suddenly over, and I was there on stage with these fantastic instrumentalists who had played their hearts into an aria sung by a man on his death bed, and the audience was hushed by this profoundly beautiful music and didn't clap for a good ten seconds after it was over. And I thought: this is what I want to do. I went back to Minneapolis unsure about what I wanted in life - and a few days later Minnesota Opera called and asked me to do their national tour of Madama Butterfly. I quit school, did that, and 35 years later I'm still at it.

Q:  Where and in what roles will we see you perform in 2024? Are there upcoming projects or performances that you're excited about?

JOHNNY SKEEKY; or, The Remedy for Everything runs May 29 - July 7 at Theater Latté Da.A:  The next production I'm in will be Johnny Skeeky; or The Remedy for Everything at Theater Latté Da, running end of May into July. Steven Epp, formerly of Jeune Lune, and I were commissioned to write a piece around the one act Puccini comic opera Gianni Schicchi, in the style of collaboration we had during all the opera projects at Jeune Lune. It's part play, part opera. Steve and I wrote the script and libretto, and we're directing it, and we're in it. And we're very excited about it. And grateful to Latté Da - we were commissioned one week before The Lockdown in 2020, and working on it that summer in Steve's backyard at opposite ends of his long picnic table was what kept us sane. Relatively.

Q:  How do you continue to grow and evolve in your skills and artistry? 

A:  Because I chose a life in the performing arts and have no practical skills, I had to stay employed - and I learned early on that I needed to be as versatile as possible to keep working. I've done everything from an Elvis impersonation to fake tap-dancing. Artists have been underpaid since, well, forever, and at 57, I'm still never guaranteed work, or entitled to keep drawing a paycheck from anywhere. And I'll never be able to afford retirement. I just keep looking for work one month at a time. So, I've learned to do many things over the years out of necessity. And I'm constantly adding to my tool kit. I've recently added writing and directing to my grab bag. Because of that, I have a deep respect for every genre, discipline and performance style under the sun. Because I've probably had to learn how to do it myself. If I have grown at all as an artist, it's because I am a jack-of-all-trades, definitely master-of-none.

Q:  You’re also a faculty member at McPhail Center for Music where you are the Prelude Coordinator. Could you tell us about the program?

A:  Anna Hashizume and I were brought on in the fall of 2021 to head Prelude - the singing and acting class for high school students. After our first couple years, we realized connection was a struggle for these kids in the age of devices and especially after COVID - that in some cases, they weren't even aware what connection was, much less how to make it happen. So, we have focused the program on how a young performer connects with other performers and with the audience. Once we made the rule that when singing a duet, the student had to look the other student in the eye, or into the eyes of anyone in the room listening as an audience, the transformation was unbelievable: their voices suddenly opened up and bloomed, they were committed to the material and to each other, and they were singing and acting with incredible abandon and creativity. And it ultimately makes them receptive to the singing and acting skills that Anna and I, and our inspired theater colleague Jon Ferguson, are wanting to teach them. It's just been beautiful to witness.

Q:  We’re so lucky to have you in the local creative community! How may we follow your news?

A:  I don't have a web page, but I am on Facebook and I publicly post everything I'm up to there, if anybody wants to come to a show. (Interviewer comment – of course we want to come!)

Restaurant Spotlight: Masa & Agave

Article by Becky Fillinger, photos provided

A discussion with Ed McDevitt, Executive Chef of Masa & Agave

Looking for a wide selection of agave-based spirits in a beautiful, intimate atmosphere?  Would delicious Mexican cantina food enhance the experience? Look no further than Masa & Agave, located in Hotel Ivy at 201 S Eleventh Street. We talked to Executive Chef Ed McDevitt about blending ancient traditions into the modern world to create an unforgettable dining experience. 

Chef Ed McDevitt Q:  What is your experience in the restaurant industry, and have you specifically worked in Mexican cuisine before? 

A:  I have been cooking since I was fifteen. I've worked in fast food to fine dining and everything in between. I spent 7 years as the executive chef for the flagship Rosa Mexicano on the Upper West Side of Manhattan. I was also the corporate chef for a small restaurant group in Brooklyn which specializes in Mexican and Colombian cuisine. 

Q:  I read in your bio that your mother and grandmother were instrumental in instilling an ethic of “putting everything into your efforts” as you were first learning to cook. How does that impact your approach at Masa & Agave? 

A:  It all starts with research, looking for the highest quality ingredients, looking into the history of a dish or ingredient. I have the utmost respect and admiration for Mexico, the diversity of flavors from region to region, the culinary traditions, the mix of ancient traditions blended into the modern world all play a part in a rich and vibrant culture.

Elote

Q:  The Masa & Agave website tells us that your restaurant is "not just a place to eat and drink, it’s a cultural journey." Can you tell us more about that idea? 

A: We’re an authentically-inspired, absolutely delicious Mexican cantina boasting one of the Twin Cities' largest collections of agave-based spirits, fantastic Margaritas and exceptional craft cocktails.  We pay homage to Mexican cuisine with bold flavored, regionally-inspired recipes prepared in a scratch kitchen. And we celebrate generations of mezcaleros and their craft with classic mezcal pairings and presentations, handcraft agave-based cocktails mixed with regional ingredients.

Q:  Can you recommend any must-try dishes or drinks for first-time visitors? 

A:  The Huitlacoche quesadilla is a must try. It’s a fungus that grows on the ear of corn, and which blends the sweetness of fresh corn with the earthiness of an oyster mushroom. For beverages, the Masa and Agave - it's a play on Mexican street corn in cocktail form.

Masa & Agave offers an extensive array of agave.

Q:  What's the décor of Masa & Agave?

A:  A little dark, a little moody. You’ll find intimate gathering spots for groups or couples. The spotlight is on our hand-picked collection of agave spirits, which fill shelves behind the bar and throughout the space. 

Q:  Will you offer happy hour specials?

A:  Not happy hour, but we will be launching industry and DJ nights! Follow us for updates! For happy hour, check out the daily happy hour at Breva, our sister restaurant located inside the Hotel Ivy.

Q:  How may we stay up to date on what’s happening at Masa & Agave? 

A: Follow us @masaandagave, check out our website masaandagave.com and join our email list!

Don't Get Towed - Spring Street Sweeping Starts April 16

Public Works crews are gearing up to start the City’s comprehensive street sweeping program to clear away what has accumulated in the streets over the winter. The City has scheduled Tuesday, April 16, for the first day of sweeping. Beginning Monday, April 15, drivers should watch for hot pink temporary “No Parking” signs to avoid a ticket and tow.

Starting April 16 for approximately four weeks, sweeping crews will take care of more than 1,000 miles of city streets. To make sure the crews can do the most complete job possible, temporary “No Parking” signs will be posted at least 24 hours in advance to make sure streets are clear of parked vehicles. Drivers need to follow street sweeping parking rules or they may have their cars ticketed and towed to the Minneapolis Impound Lot.

Find your street on the schedule! Starting Friday, April 12, you can see when your street is scheduled to be swept by visiting the interactive street sweeping map.

Learn more about street sweeping.

Going Out, Coming In: LGBTQ+ Spaces in Downtown Minneapolis Returns to Mill City Museum

Exhibit showcases the history of the city’s LGBTQIA+ community spaces

On April 18, the photography exhibit Going Out, Coming In: LGBTQ+ Spaces in Downtown Minneapolis returns to Mill City Museum. The public is invited to view the free exhibit, which will be located in the museum’s central Mill Commons area.

Previously displayed during the summer of 2023, Going Out, Coming In showcases the importance of downtown Minneapolis’ LGBTQIA+ community spaces throughout the 20th century. The exhibit details how queer history is present and intertwined with the neighborhood’s development during that time period.

Through this exhibit, visitors can deepen their understanding of downtown Minneapolis and those who lived in and visited the community. Images highlight places where the city’s queer community gathered to address the systemic challenges of discrimination, urban renewal, and HIV/AIDS.

This exhibit is part of an ongoing partnership between Twin Cities Pride and the Minnesota Historical Society. It is inspired by the Twin Cities LGBTQ+ History Tours developed by TC Pride and MNHS in 2022.

Going Out, Coming In will be on display during regular museum hours from April 18 to July 14 2024.

The exhibit is made possible through funding provided by the Minnesota Legacy Amendment Arts and Cultural Heritage Fund.

Assist the Minnesota Pollution Control Agency - Join the Volunteer Water Monitoring Program

As spring arrives in Minnesota, it’s time for the Minnesota Pollution Control Agency (MPCA) to kick off its popular program that relies on Minnesotans to monitor our 12,000+ lakes and 92,000+ miles of streams: the Volunteer Water Monitoring Program. 

The MPCA is currently recruiting volunteers to measure water clarity in numerous lakes and streams – including several high-priority sites across the Twin Cities Metro Area – and then report back to the agency. This is the perfect opportunity for outdoor enthusiasts and those interested in protecting our state’s natural resources! 

Over 50 years of environmental stewardship

When the University of Minnesota launched the Volunteer Water Monitoring Program in 1973, it would go on to become the second oldest, and still active, volunteer water monitoring program in the nation. Transferred to the Minnesota Pollution Control Agency in 1978, it has since become a roaring success, empowering Minnesotans from all corners of the state to support the health of our beloved waters.

Minnehaha Creek water monitoring

How does it work? 

Volunteers conduct a simple water clarity test in a body of water twice a month from April-September. MPCA provide all the equipment and training, so no experience is needed. 

The MPCA uses the data to help determine whether lakes and streams are meeting water quality standards, which are designed to protect aquatic life and recreational activities, such as fishing and swimming. 

In some cases, the information gathered by volunteers is the only monitoring done on a particular lake or stream!

A Secchi disk is an 8-inch (20 cm) disk with alternating black and white quadrants. It is lowered into the water of a lake until it can no longer be seen by the observer. This depth of disappearance, called the Secchi depth, is a measure of the transparency of the water.

Community Meeting Regarding Scooters on May 13 The Depot

Council Member Michael Rainville has arranged a Town Hall Meeting at The Depot, 225 3rd Avenue S at 6 pm on Monday, May 13.

Allen Klugman of Traffic Control, Dillon Fried of the Department of Public Works’ Mobility Team and Park Commissioner Elizabeth Shaffer will answer questions and concerns about the upcoming scooter season. Residents who live near the Lakes will also be in attendance to discuss their concerns.

.

Join the meeting to learn more, discuss problems observed and get your questions answered. 

Ella Daniels Brings Valuable Experience to Mill City Farmers Market Executive Director Position

Article by Becky Fillinger, photos provided

Mill City Farmers Market (MCFM) has a new Executive Director, Ella Daniels, and she has the experience and enthusiasm to take our local farmers market to new levels of success. We talked to her about opportunities to grow the market’s programs, how technology can assist and new vendors. She taught us that people who shop at farmers markets have 15 to 20 social interactions per visit compared with 1 to 2 social interactions at a grocery store – isn’t that fact alone enough to get you to visit the market? 

Ella DanielsQ:  Congratulations on becoming the Executive Director of the Mill City Farmers Market! Can you share a bit about your background and experience in food resource organizations?

A:  Thanks so much. I’m a proud market shopper and donor of the Mill City Farmers Market, so to me, leading this organization is a privilege. My professional experience is focused on connecting food organizations with the resources and audiences they need to thrive. I grew up in Minnesota, but while living in Washington, D.C. I had the opportunity to work across various levels of the food system: globally at the United Nations World Food Programme, regionally at the Capital Area Food Bank, and nationally at Partnership for a Healthier America. My work experience has given me valuable insights into the policies and factors that shape our modern food system, and its economic, health, social, and environmental inequities. I’m excited to be able to use this platform to highlight the power of eating locally and advocate for a more equitable and sustainable food system.

Q:  What do you see as the main challenges and opportunities for the MCFM in the upcoming year?

A:  Great question. I’ve been asking this and similar questions of staff, Board members, vendors and partners since I started in January. My goal is to be in “listen and learn” mode this year. One takeaway I can share from my “listening tour” thus far is that Mill City Farmers Market is known among vendors as a springboard to success for local businesses. This feedback is helping me recognize a big opportunity to help people understand how farmers markets work, how local businesses benefit, and what makes Mill City Farmers Market unique. Our market has grown so much in recent years, and our experienced staff have great suggestions about what it means to sustain success and what additional role we could play in our community. 

Q:  The MCFM is a well-run operation, but do you have strategies in mind to enhance the efficiency of the market's operations? What role do you see technology playing in the future of the MCFM?

A:  MCFM has a well-deserved reputation as a well-run operation, and that’s a testament to the leadership of Martha Archer, during her 13-year tenure, and a dream team of staff, day staff and vendors. One project we have planned to enhance our operational efficiency is upgrading our point-of-sale system. We soon will need a new credit card reader, so we hope to transition to an integrated hardware and software that can complete payments for SNAP/EBT, merchandise sales and market tokens and inventory them to save staff time on manual reconciliation and bookkeeping. SNAP transactions at our market have tripled in recent years and we see a big opportunity to continue growing the percentage of customers who benefit from Market Bucks, but payment processing takes more staff time. By upgrading this technology, we’ll meet two goals at the same time: happier staff and increased food access in our community.

Q:  Do you foresee new vendors that you will invite to the market?

A:  We had a record-breaking number of applications this year and just finalized a fantastic line-up of vendors for the upcoming summer season. I can’t spill the beans yet, but we will be announcing our new lineup of vendors soon. As with most news, our newsletter subscribers will be the first to know. But you can expect over 100 vendors, with many familiar names and some brand-new faces, too. 

Q:  Are there any changes you foresee in the layout or structure of the market?

A:  Market goers can expect the same layout and structure for 2024. Our indoor market season includes one more market on April 20th from 10am to 1pm inside the Mill City Museum, featuring 30+ vendors. On Saturday May 4th, we officially begin the outdoor market season. Summer market hours are from 8am to 1pm, May to September, then 9am to 1pm in October, before returning to indoor markets on the 1st and 3rd Saturdays of the month from November to April. All summer long we’ll be hosting fun, experiential programming at the market like Mill City Cooks on the 1st and 3rd Saturdays of the month, weekly yoga (June-September), Storytime with the Guthrie Theater, and Mill City Kids and Power of Produce on the 2nd and 4th Saturdays of the month.

Ella and family roll into the MCFM

Q:  What ideas do you have for fostering a sense of community among vendors and customers?

A:  This is my favorite thing about Mill City Farmers Market. I read a statistic from the Farmers Market Coalition that people who shop at farmers markets have 15 to 20 social interactions per visit compared with 1 to 2 social interactions at a grocery store. How cool is that? For me, the ingredients to foster a sense of community are curiosity, respect and good questions. Whether you visit us once a year or each Saturday, you are part of our community and you help us contribute to the growth and sustainability of our local economy. I’m proud of the fact that Mill City Farmers Market is a trusted destination where 175,000 annual customers can buy directly from over 100 small farms, food producers and entrepreneurs located within 50 miles of the Twin Cities.

Q:  Are there any outreach or educational programs you'd like to implement?

A:  Definitely. Through generous support from individuals and businesses in our community, we fund education and outreach for the Mill City Farmers Market through our Charitable Fund. This organizational model allows us to have a greater impact in our community by offering well-established programs to prevent food waste, improve food access, and invest in farmer-led solutions to build a more equitable and sustainable food system. When you donate to the Mill City Farmers Market Charitable Fund you help power our programming and close the gap between program demand and available funding.

Two programs we see an opportunity to grow with incremental funding are: Next Stage Grants and Greens for Good. For example, 32 emerging farmers and food makers applied this year for Next Stage Grants to scale their business operations but we can only fund 40% of these requests at current funding levels. On average, it costs $5,700 to help one emerging farmer unlock financial opportunity for years to come. Another program we’d like to grow is Greens for Good, a weekly food recovery program supported by Augsburg University volunteers and M Health Fairview Health Commons which distributes 10,000 pounds of high-quality surplus produce annually to 40 public housing residents in the Cedar Riverside neighborhood. It would cost $14,500 to increase the program by 50% to meet the community demand for fresh produce. The project costs include farmer compensation at wholesale prices for 10,000 pounds of produce annually, staff support, additional volunteer stipends, additional compostable bags and a translator. 

Q:  How may we stay up to date with MCFM news?

A:  Subscribe to our newsletter! It is a fun read with market news and behind-the-scenes stories every Wednesday. Our communications manager, Maya O’Brien McLeod writes the newsletter and she’s doing something right because we have an above average open rate of 47%. We’re on Instagram and Facebook as well with more regular updates (@millcityfarmersmarket), but the best way to stay up to date with Mill City Farmers Market news is to become a regular shopper. We have one more indoor market inside the Mill City Museum on Saturday, April 20th, and we officially kick off the outdoor market season on Saturday May 4th. Looking forward to seeing you there!

Volunteer Opportunities to Help Care For Our Mississippi Riverfront

Public is invited to participate in shaping the Natural Resource Management for East Owamniyomni/Father Hennepin Bluff Park Lower Trail.

*  *  *  *  *  *  * 

1 - April 16, 6:30pm, Pillsbury A-Mill Performance Hall, 315 Main Street SE - Community Discussion: Caring for East Owamniyomni/Father Hennepin Bluff Riverfront 

Friends of the Mississippi River and Full Circle Indigenous Planning and Design will offer regional context for this planning and share their initial assessment and draft recommendations. Participants will be invited to offer ideas, respond to draft concepts, and sign up to participate in caring for nature at East Owamniyomni. You can sign up for care events this season here. 

Marcy-Holmes Neighborhood Association (MHNA) has partnered with Minneapolis Park and Recreation Board for several years by engaging volunteers in nature restoration activities at Father Hennepin Bluff Lower Trail, part of the Central Mississippi River Regional Park. As the Dakota name for the falls is Owamniyomni, volunteers are calling this lower trail area East Owamniyomni.

In 2023-24, MHNA received funding from the Mississippi Watershed Management Organization to complete a 10-year natural resource management plan for volunteer-led restoration at East Owamniyomni. Friends of the Mississippi River and Full Circle Indigenous Planning and Design are working together on this plan.  Essential parts of this planning process are evaluating its ecological health, and engaging Indigenous people and community members both in shaping the plan and playing a role in caring for nature in this special Mississippi River sanctuary. 

*  *  *  *  *  *  * 

2 - Thursday, April 25, 6:30-7:30p - Join a site visit about this plan, led by volunteers. Following the meeting, you are welcome to comment, including online, until May 16. The plan will be finalized in July 2024.

*  *  *  *  *  *  * 

3 - Tuesday, Sept. 10, 5:30-7:30p - The group will be planting shrubs as they launch implementation of the plan. This event is part of the 2024 season of care days - please sign up here for April - November dates!

*  *  *  *  *  *  * 

For more information or to join the volunteer leadership team, please contact Cordelia Pierson at cordelia.pierson@gmail.com, 651-815-1268 cell, LinkedIn, Facebook.

Help Shape the Future of Travel and Tourism in Minneapolis!

Destination Minneapolis: Charting the Future of Minneapolis Tourism

You can help shape the future of travel and tourism in Minneapolis! 

Meet Minneapolis, the city’s Convention and Visitors Association, is conducting a survey of Minneapolis residents. The information gathered will be part of an effort to develop an updated 10-year tourism master plan to increase the appeal of Minneapolis as a destination for travelers.

Please share you thoughts and be part of this important work. The survey, which closes on May 3, will take approximately 5 minutes to complete and all responses will be kept confidential.

The survey is available in four languages:

English - https://www.surveymonkey.com/r/MinneapolisEng

Hmong - https://www.surveymonkey.com/r/MinneapolisRShmong

Somali - https://www.surveymonkey.com/r/MinneapolisRSsomali

Spanish - https://www.surveymonkey.com/r/MinneapolisEsp

No One Asked You - A Discussion With Filmmaker Ruth Leitman

Article by Becky Fillinger, photos provided

A must see film at the Minneapolis St. Paul International Film Festival is No One Asked You, a documentary by Ruth Leitman, which highlights the efforts of Abortion Access Front and Lizz Winstead to support abortion clinic staff across the U.S. We talked to Leitman about the inspiration for the documentary and how everyone can play a part in supporting abortion rights.

Director Leitman and Winstead will both be at the film’s two showings and there’s also a fundraiser party with a silent auction, karaoke and DJ Tricky Miki spinning classic funk and disco. Get your tickets here.   

Q:  What inspired you to contact the Abortion Access Front in 2016, which led to the brilliant documentary No One Asked You?

Ruth LeitmanA:  Thank you for calling the film brilliant. I’m blushing, but your readers can’t see that in print. I think our subjects are brilliant, and even more important is that combination with a deep empathy and kind heart. I had met Lizz at Netroots Nation in 2012 during her Lizz Free or Die book tour while I was there screening my immigration documentary Tony & Janina’s American Wedding.

Then cut to 4 years later when Trump was elected. I was devastated and knew that things around many issues were about to get much worse, but especially abortion access. The next day I was watching MSNBC and of course there was Lizz as I so often saw her having to argue down the generalists who were naysaying that Trump would try to overturn Roe. I had the idea in that moment that this was the way I would maintain my sanity - making a film following Lizz and AAF through their work around abortion access using comedy and outrage to destigmatize abortion and provide support to independent clinics across the U.S. Fortunately for me and our team, Abortion Access Front was planning the Vagical Mystery Tour, a 16 city USO meets Habitat for Humanity tour across the US that summer.

Q:  What do you hope viewers will take away from watching No One Asked You?

A:  Too many folks have sat this one out, thought this would never happen. But it’s been clear for a while our democracy is being dismantled in front of our eyes and in this case that has never been clearer than in the erosion of bodily autonomy. So, what we want folks to take away is that it will take all of us to turn the tide. There’s a crisis that affects all of us and it’s going to take everyone doing whatever they can to commit to changing this erosion. In watching the film, Lizz and AAF show folks what they can do to get involved.

Q:  I think one theme from your documentary that every person can do something is extremely important in the constant fight for abortion access. How do you envision the film being used throughout the country to inspire action?

A:  Thanks, the film shows measurable things large and small that each person can do as they get involved in the abortion access activism fight. It was important to me to show folks watching that they can do something. Folks want to do something especially now, but to many, it just all seems impossible. We want folks to know that they are part of the solution! We are living at a time where we need all hands on deck in activism around this issue. We are also living in a time where the film industry and distribution is more fractured than ever. Companies base decisions on corporate interpretations of algorithms rather that audience enthusiasm. More times than not, they miss the mark. People are really loving and responding to the film. They are ready for it and empowered by it. We know that Americans support abortion. And we know there’s activism fatigue in this country. The film we have made and the approach we are taking in the impact engagement and distribution will be used galvanize folks around the issue of bodily autonomy. We are committed to getting this film out there where it is needed most and following the by any means necessary approach that No One Asked You was created with and in the spirit of the subjects of our film.

Q:  How do you see the role of storytelling, particularly through film, in influencing public opinion and policy regarding reproductive rights?

A:  I love being a documentary filmmaker. I think we have a critical role in the media landscape, that is grossly under resourced. We follow stories for long periods of time often without compensation. These are the stories we cannot leave on the table waiting for a film gatekeeper’s green light. That wasn’t going to happen. Especially since the film industry didn’t even think it was possible that Roe would fall. 

In regard to changing public opinion, I’m not sure that we need to. The vast majority of Americans are pro-choice. But many of them don’t understand that they are needed to help restore access through being outspoken and active. But we also have many folks in this country who are pro-choice without the understanding that to fully be pro-choice, one must also be pro-abortion. When screening this film for many who considered themselves the former, we have come far in changing hearts and minds to say the word abortion, because that’s the word and procedure that allows women and people with a uterus to make their own life decisions. Let’s take away the stigma and call it what it is without apology.

I also think it’s important for folks to see themselves in the people represented in the film in order to engage. We are seeing this happen at each screening of the film, folks who are educated and thought they were up on all the news. But the news failed to report on abortion access for decades and in large part this is why we are where we are in this moment. The media is complicit in where we are now. This is an issue that is vast. It is not a singular story. It is nuanced. There are many abortion stories to tell. Many of the audience members see themselves or someone they know in these stories. But also, abortion stories are unique to each person and each pregnancy. Doc filmmakers have had to step in to tell these stories because the media was not covering them unless they were extreme. 

Q:  Will we see you at the MSPFF? Will you speak?

A:  Lizz and I will be at both screenings for a Q&A - April 20 at 6pm & April 21 at 2pm at The Main Cinema. Lizz is also hosting a big party as a fundraiser for Abortion Access Front after the  April 20 screening. People who buy tickets to either screening can purchase tickets to the party as well. We’ll have some special guests and a special announcement for new ways that folks can help us support the film – our rad and ambitious impact campaign, volunteer opportunities and ways to help Abortion Access Front. We are here to make a difference and we have the film about the people and the new approach to activism that can do just that!

Q:  How may we follow your news as a documentary filmmaker?

A:  Please follow the film at https://www.nooneaskedyoudoc.com/, on Facebook and on Instagram and X @nooneaskedudoc. Follow me at ruthlessfilms.com on social media @ruthlessfilms.

Children's Theatre Company Announces 2024-2025 Season

Children’s Theatre Company (CTC) recently announced their 2024-2025 Season of six productions featuring a world premiere play, Drawing Lessons; a rolling world premiere musical, Milo Imagines the World; the thrilling spectacle, MOYA by Zip Zap Circus from Cape Town, South Africa; the return of the smash hit holiday favorite Dr. Seuss’s How the Grinch Stole Christmas!; the Minnesota premiere of Manual Cinema’s Leonardo! A Wonderful Show About a Terrible Monster based on the beloved books by Mo Willems; and a CTC original production of Disney’s 3-time Tony Award®-nominated musical phenomenon Frozen.

The season begins with MOYA by Zip Zap Circus, featuring an original soundtrack composed by Josh Hawks. Audiences will soar into the visual spectacle of this pulsating acrobatic performance set against the Cape Town skyline! Comic jugglers, unicycle dancers, and an authentic gumboot dance will take you on a freewheeling journey that explores the spirit and vitality of township life. Watch as a simple city bench becomes a sidesplitting spark for a newfound friendship, and feel the energetic beat of South African pop music. You’ll relish this thrilling feat of acrobatics and rhythmic movement that celebrates the joy of sharing community with one another. Best for all ages, MOYA by Zip Zap Circus runs September 12-October 20, 2024, on the UnitedHealth Group Stage.

Next, experience the energy of a graphic novelist’s imagination at work in the world premiere of Drawing Lessons by Michi Barall! Dynamic, jump-off-the-page animation shows Kate’s manhwa storyboards coming together, even as she deals with school, friends, and how her Korean heritage fits into her American lifestyle. Will her contentious friendship with Paul help or hinder her progress? Will either of them ever find their true artistic voices? Get drawn into this innovative story that magically takes place both on stage and on screen! Drawing Lessons is a co-commission with Ma-Yi Theater Company in New York, and marks the first full production of a show developed through the landmark Generation Now partnership between five theatres (Latino Theater Company, Ma-Yi Theater Company, Native Voices, Penumbra, and Children’s Theatre Company). Directed by Jack Tamburri, Drawing Lessons runs from October 8-November 10, 2024 on the Cargill Stage. This production is recommended for middle grade school students and up.

CTC’s beloved holiday smash-hit Dr. Seuss’s How the Grinch Stole Christmas! returns this holiday season after last year’s sold out run. A miserly and miserable, ever-so-cantankerous Grinch has observed the despicable Christmas joy of the Whos with disdain, from a distance, for decades. Enough! In this holiday favorite filled with music and Seussian rhymes, he plots the greatest heist imaginable—stealing the very thing they love the most! Until, that is, the smallest of the Whos, tiny Cindy Lou, extends a hand. Through the combination of kindness and community, we witness not only a change in the course of Who-History, but the size and capacity of the old green guy’s heart. Directed by Dean Holt, this musical favorite runs November 5, 2024-January 5, 2025, on the UnitedHealth Group Stage.

In the new year, nationally acclaimed theatre company Manual Cinema comes to CTC with the Minnesota premiere of Leonardo! A Wonderful Show About a Terrible Monster based on the books by Mo Willems. Monsters have one job and it's to be SCARY! "Booga booga booga!" But as hard as he tries, Leonardo can't scare even a mouse. When the other monsters laugh and make fun of him, Leonardo goes in search of the most scaredy-cat kid in the whole world to try and scare the tuna salad out of him! Manual Cinema breathes innovative life into this beloved story (and its doubly charming sequel), using hundreds of puppets to magically create a movie before your very eyes. Will Leonardo finally become the scary monster he dreams of being? Or will he discover something even better to be? Inspired by the Books Leonardo, The Terrible Monster and Sam, The Most Scaredy-Cat Kid in the Whole World by Mo Willems, Leonardo! A Wonderful Show About a Terrible Monster was commissioned by The Kennedy Center for Performing Arts with additional commissioning support from Utah Presents. Leonardo! A Wonderful Show About a Terrible Monster is best for younger audiences and runs from January 8-March 9, 2025, on the Cargill Stage.

Up next is the CTC-commissioned, rolling world premiere of the new musical Milo Imagines the World, based on the book by Matt de la Peña and Christian Robinson and brought to life by book writer Terry Guest and composers and lyricists Christian Albright and Christian Magby. On a crowded subway, Milo passes the time imagining the lives of the other passengers. See his illustrations brought to spirited life, featuring dynamic new songs ranging from hip hop and pop to country. Ride along with Milo from stop to stop as he begins to understand that first impressions aren’t always accurate, that his bossy older sister ReRe isn’t always an annoying diva, and that real life can sometimes be even more incredible than an imaginary one. Milo Imagines the World is a joint commission by The Rose Theater (Omaha, Nebraska), Chicago Children’s Theatre (Chicago, Illinois), and Children’s Theatre Company (Minneapolis, Minnesota). Directed by Mikael Burke, Milo Imagines the World runs from February 4-March 9, 2025, on the United Health Group Stage and is best for all ages.

For the season finale, Disney’s hit Broadway musical Frozen sweeps into Minnesota as Children’s Theatre Company premieres its original production of the hit Broadway musical. Sing along with Elsa, Anna, and the whole cast as they encounter magic that’s out of control, weather that’s fearsome, and Olaf, a snowman who melts your heart. Will Elsa be able to restore the balance between summer and winter? Will she and Anna ever be close again? Settle in for some hygge, a little bit of joiking, and a whole lot of letting go! Nominated for three Tony Awards® including “Best Musical,” Disney’s Frozen is directed by Tiffany Nichole Greene and runs April 15-June 15, 2025, on the UnitedHealth Group Stage. Best for all ages!

Full season subscriptions and renewals for the 2024-2025 Season are now on sale and can be purchased online or by calling the ticket office at 612.874.0400.   

5-Play Full Season Subscriptions range from $185 - $244 for adults and $145 - $206 for kids and seniors. 5- Play Preview Subscriptions are $125 for adults and $75 for kids. Dr. Seuss's How the Grinch Stole Christmas! can be added on to any 5-Play subscription for $37-$59 ($15-$25 for Preview.) These prices reflect a 25% discount off of the regular ticket price—one of the benefits of subscription at CTC.

CTC’s 2025-2025 Season of artistic and educational programming is supported by The Shubert Foundation, Inc. and the Minnesota State Arts Board.